By Guerino Mazzola

ISBN-10: 3319473336

ISBN-13: 9783319473338

ISBN-10: 3319473344

ISBN-13: 9783319473345

This publication explains music’s complete ontology, its means of life and processing, as laid out in its compact characterization: song embodies significant verbal exchange and mediates bodily among its emotional and psychological layers. The e-book unfolds in a simple discourse in daily language that's available to every body who desires to comprehend what this subject is ready. Musical ontology is behind schedule in its basic dimensions: its realities, its significant verbal exchange, and its embodied utterance from musical creators to an viewers.

The authors' strategy is acceptable to each musical style and is clinical, the booklet is acceptable for non-musicians and non-scientists alike.

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Additional info for All About Music: The Complete Ontology: Realities, Semiotics, Communication, and Embodiment

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When you listen to Barber’s Adagio for Strings you may feel somber or sad. Alternatively, you may find yourself humming joyfully after having received a perfect score on an exam. But does music directly mirror emotion? And how do we classify emotions in a scientific way? In this section we will present and criticize the major theories about the relationship between emotions and music. — G— John Sloboda and Patrik Juslin provide an excellent explanation of the psychology of music [65]: Psychology is concerned with the explanation of human behavior: Behavior includes overt action as well as “inner” behavior, such as thought, emotion, and other reportable mental states.

They are much simpler in their arrangement as they lie on one line of the octave direction. 1 The Role of the Mental Reality 53 Fig. 8: Euler space. Fig. 9: Pitch classes. 5 The Hidden Symmetry of Counterpoint Although the chromatic octave shown in Fig. 8 looks very irregular, it has a unique hidden symmetry, as shown in Fig. 13. This symmetry is important to understand musical counterpoint. What is counterpoint? In short, this is the art of composing music with a number of different voices. When one considers the intervals between (simultaneous) notes of different voices, coun- 54 5 Mental Reality Fig.

See 1 There was another Fourier, named Charles, who described a model of utopistic society. 17 for examples of wavelets. Fig. 15: An illustration of the concept of envelope. The top image, representation of a sinusoidal signal, is deformed accordingly to the shape of the middle image, modifying its envelope and giving the bottom image. Wavelets are used to solve the signal-cutting problem. A wavelet is different from zero in a finite range. Wavelets are used in several fields, including seismography and heart-beat monitoring in electrocardiograms, ECG.

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All About Music: The Complete Ontology: Realities, Semiotics, Communication, and Embodiment by Guerino Mazzola


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